The drama of Eugene Markovsky is based on the novel by F.M. Dostoevsky's “Eternal Husband”.

Son lives with his father in an old flat with an endless number of rooms and corridors. The grandfather died, but his corpse lies on the sofa in the living room. Guests come to the apartment sometimes for whom the father prepares in different ways and sets the boy up to the same attitude towards the guests. Every day, the father leaves no one knows where, and the boy remains alone and wanders through the corridors of the flat. On one of these walks, a boy hears subdued screams - they come from a room with an iron door. When he tries to see what's happening there through the peephole, his father appears. Son tries to escape but then faces another terror along the way. The boy seeks to find a way out, but his father suppresses all attempts. "Eternal" is an author film about the problems of a big state transferred to a small, strange family. By design, the film is a reasonably pessimistic metaphor for modern Russia.

A widow grieves for her husband. Her sister tries to console her. Too little, too late. Truths are revealed, love is suffering, but at least family is forever ...

The movie is based on a popular tale from the Basque Country and tells the story of a woman that becomes a widow the same day she gets married, and decides to keep living with the husband's dead body for 6 years.

About the difficult fate of a former political prisoner who came in search of his son in the places where he served his sentence.

River flowing through Prague, Czechoslovakia. Shots of the city. Bridges, buildings, street scenes, religious buildings, cars driving the streets. Cathedral. Top shot of details of towers and turrets. Stone devils, cockerels and gargoyles. Views of the city from the cathedral. Courtyards, gardens, statues, archways, stone staircases, colonnades. Holy man walks through a courtyard. View of the river and its bridges.

A coming of age story about a group of millennials who start to face their self-destructive tendencies as they each head straight into their crisis of thirtysomethings.

In 1934, while traveling to Stockholm, where he is about to receive the Nobel Prize, the Italian playwright Luigi Pirandello recalls his life and his relationship with the loved ones who have inspired his art.

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安德烈·索科洛夫与萨莎·克拉夫佐娃在一艘游艇上邂逅。安德烈是船上的大副，而萨莎正在那里大肆庆祝自己的生日。聚会最终以萨莎和她的朋友们纵火致使船被烧毁而告终。安德烈因此丢了工作，之后在一艘游轮上谋得了经理助理一职。萨莎则被她身为寡头的父亲送到同一艘游轮上做女佣，以起到教育她的目的。如今，在这一年里，她周围是海景、来自各国的船员、杂乱的船舱，还有一位老熟人——游轮经理助理安德烈·索科洛夫。这注定会是极为漫长的一年。